The Emilia Giuliani book is finally done! She was the daughter of Mauro Giuliani. Very little information about her has been available and only a few of her compositions have had much attention since their original publication in the 1830-40’s. In the 200th anniversary year of her birth I’m proud to release this book with tremendous work and support from Nicoletta Confalone and Thomas Heck.
As detailed in one of my earlier blog entries, Jiro Nakano was not only a long time collector, but was a tremendous cataloger of all information related to the guitar and mandolin. He wrote many articles over a very long period of time and contributed many long lists of composers and compositions to various guitar journals in Japan.
Continue reading “Nakano guitar journal contents”
The following list is the current state of my research into the works of Luigi Sagrini (1809-1874). (Correct birth date discovered by Bernard Lewis.)
The works list below represents my latest work on the works of Felix Horetzky (Feliks Horecki) (1796-1870). Horetzky republished the same composition with multiple publishers often tracing his movements from Vienna to Paris and then on to London. I have denoted these publications with letters after the opus numbers.
Doshisha University compiled two catalogs of the Nakano Collection – one for guitar and one for mandolin. Both catalogs are available for order directly from the university. The Nakano Collection contains approximately 12,000 individual items with about 6100 in the guitar section. Doshisha has photocopied the nearly the entire collection and bound it into a series of very large volumes. As long as you can get into the library it is very easy to access the collection by requesting certain volumes.
This is an incomplete list of compositions in the Morishige Takei collection at the Kunitachi College of Music in Tokyo, Japan. It was compiled by Jun Sugawara, of HOMAdream. The Takei collection is not publicly accessibly to my knowledge, nor has it been fully catalogued. After Takei’s death it was in the custody of at least one other person during which time portions may have been mixed with other collections. Takei also had a large amount of mandolin music in his possession. I doubt that this list represents the total of his guitar collection. One thing to remember though is that Takei lost nearly all of his collection due to fires caused by the great Kanto earthquake in 1923, though his rebuilt collection mostly survived other fires caused by air raids on Tokyo during World War II.
Continue reading “Takei Collection”
I am proud to announce that the Hudleston Collection from the Royal Irish Academy of Music is now available in the Archive Search. This brings the total number of digital files linked from the database to 6248 and the pages represented in thumbnail format to 49,428.
The Luigi Ricca collection has been added to the Archive Search. While the Ricca collection itself has quite a bit of music, only the guitar related works have been added to the archive. While the guitar music was digitized it was distributed on DVD and is not available on the web to my knowledge. The preview images and data were given to me by my friend and colleague Marco Bazzotti.
Use this link as a shortcut to view all the new items from the Ricca collection.
The Giulianiad was published in London from January 1833 through possibly July 1835. Its editor was not listed in any of the journals but it is fairly well accepted that Ferdinand Pelzer was very involved in the work. There are only two known locations of complete issues of the journal: The British Library and the Appleby Collection at the Guildhall School of Music and Drama. There are a number of individual issues in other collections and libraries.
My article on Horetzky with a facsimile of his Quatre Variations, Op. 22, recently appeared in the GFA Soundboard Volume XXXVII, No. 4. NOTE: I have updated this post with translations from Powrozniak and my comprehensive compositions list. Translations from Bartkowski are forthcoming.