On November 6th, 1856, less than a month after the death of J. K. Mertz on October 14th, his manuscripts and instruments were put up for sale. (more…)
The journal “Mitteilungen der Freien Vereinigung zur Förderung guter Guitaremusik (e. V.)” (known in English as the “Free Society for the promotion of good guitar-music”) was one of the early, informative journals on the guitar published in Augsburg, Germany from 1904 to 1909. In January 1909 the Augsburg society joined with the Munich Gitarristischen Vereinigung and stopped publication of their own journal.(more…)
Julie Fondard, possibly 1819-1864, was a student of Sor in Paris perhaps earlier than 1830. Sor dedicated his opus 62 to her in 1838. She published in Cheltenham, England from around 1834 through 1836 where she first announced herself as a pupil of Sor. By the end of 1836 she was back in Paris.
Below is a list of all of Alexander Weinmann’s “Beiträge zur Geschichte des Alt-Weiner Musikverlages” series for easy reference. His books document the output by date and plate number of many important Viennese publishers. His papers are housed in the David M. Rubinstein Rare Book & Manuscript Library at Duke University. Many well-known (and unknown) guitarists’ publications can be researched in this series.
There is a nice video of Nicoletta Confalone’s presentation on Emilia Giuliani at the “Musica con la chitarra, oggi” in Bologna, February 2014. There is also a great overview of her work on Emilia on the same site.
The Emilia Giuliani book is finally done! She was the daughter of Mauro Giuliani. Very little information about her has been available and only a few of her compositions have had much attention since their original publication in the 1830-40’s. In the 200th anniversary year of her birth I’m proud to release this book with tremendous work and support from Nicoletta Confalone and Thomas Heck.
The works list below represents my latest work on the works of Felix Horetzky (Feliks Horecki) (1796-1870). Horetzky republished the same composition with multiple publishers often tracing his movements from Vienna to Paris and then on to London. I have denoted these publications with letters after the opus numbers.