Guitar Music by 19th Century Women ComposersContinue reading “Le Donne e La Chitarra”
Morishige Takei was a lover of film in addition to the guitar and mandolin. He entered several film competitions, although I don’t currently have much details about his film work other than the films I was allowed to copy from his daughter in 1997. I have uploaded all of them to YouTube. I believe these were all taken in the 1930’s.
During recent discussions with the Kunitachi College of Music (Tokyo) librarians I learned they plan to catalog the Takei Collection and post the list on their website. I don’t know the schedule for their plans, but it is good to know it is in progress. I visited the library with Jun Sugawara sometime in 1996-97 with only a short list in hand and I was not allowed to see the collection directly. I have a number of articles on the collection published around the time it was given to Kunitachi and when I have time I’ll post translations.
I originally wrote in 1997 about the guitars purchased in 1926 by Japanese collectors from Philip Bone, but never shared a copy of the original letter received from Bone listed details on the guitars. I stumbled across my correspondence with Nakano recently and realized he had sent me a copy of the letter. Here it is!
On November 6th, 1856, less than a month after the death of J. K. Mertz on October 14th, his manuscripts and instruments were put up for sale.
The German guitar journal published by the Gitarristischen Vereinigung in Munich from 1900 to 1931 was known for the first few issues just as “Mitteilungen des Internationalen Guitarristen–Verbands (e.V.)” but then soon gained the name “Der Guitarrefreund.” In 1910 it was changed to “Der Gitarrefreund.”
The journal “Mitteilungen der Freien Vereinigung zur Förderung guter Guitaremusik (e. V.)” (known in English as the “Free Society for the promotion of good guitar-music”) was one of the early, informative journals on the guitar published in Augsburg, Germany from 1904 to 1909. In January 1909 the Augsburg society joined with the Munich Gitarristischen Vereinigung and stopped publication of their own journal.
I’ve been gathering locations for all issues of S.S. Stewart’s Journal for many years and am now at a point where I’ve exhausted all major sources. I am still looking for missing issues and any suggestions would be most welcome.
Julie Fondard, possibly 1819-1864, was a student of Sor in Paris perhaps earlier than 1830. Sor dedicated his opus 62 to her in 1838. She published in Cheltenham, England from around 1834 through 1836 where she first announced herself as a pupil of Sor. By the end of 1836 she was back in Paris.
Below is a list of all of Alexander Weinmann’s “Beiträge zur Geschichte des Alt-Weiner Musikverlages” series for easy reference. His books document the output by date and plate number of many important Viennese publishers. His papers are housed in the David M. Rubinstein Rare Book & Manuscript Library at Duke University. Many well-known (and unknown) guitarists’ publications can be researched in this series.