ETUDE March 1939 volume LVII number 3 page 206 Fundamental Guitar Technique By George C. Krick ONE OF THE MOST serious mistakes made by many guitar students especially those trying to master the instrument without the benefit of a teacher, Read more
ETUDE February 1939 volume LVII number 2 page 136 The Guitar in Chamber Music By George C. Krick IF YOU SHOULD HAPPEN to visit the “rare book” room in the Congressional Library in Washington, do not fail to pause before Read more
ETUDE June 1939 volume LVII number 6 page 414 The Mandolin By George C. Krick “WHAT METHODS AND EXERCISES do you recommend to a young student, seventeen years of age, anxious to become a real mandolinist with ability to play Read more
ETUDE August 1939 volume LVII number 8 page 540 The Guitar – Fingers or Plectrum By George C. Krick WHENEVER GUITARISTS come together it is inevitable that eventually the conversation drifts towards the question: Will the plectrum guitar supplant its Read more
ETUDE July 1939 volume LVII number 7 page 480 Ferdinand Sor By George C. Krick FERDINAND SOR, one of the most renowned guitarists of all history, has been acknowledged as also the greatest composer of original music for guitar. Born Read more
ETUDE January 1940 volume LVIII number 1 page 60-61 Artistic Effects on the Guitar By George C. Krick A GUITARIST, HAVING ATTAINED a fair amount of technical proficiency on his instrument, will find it quite enjoyable and profitable to make Read more
ETUDE December 1939 volume LVII number 12 page 822 Ensembles of Fretted Instruments By George C. Krick MOST OF US, when taking up the study of a musical instrument, do so with the desire of playing for the pleasure to Read more
ETUDE November 1939 volume LVII number 11 page 750-751 William Foden By George C. Krick DURING THE PAST FEW YEARS the guitar world has been dazzled by the playing of Andres Segovia, Martinez Oyanguren, Sainz de la Maza and other Read more
ETUDE October 1939 volume LVII number 10 page 678 Tone Production By George C. Krick ON MANY OCCASIONS, after listening to a rendition of a guitar solo, the writer was unfavorably impressed with the tone quality the player extracted from Read more
ETUDE September 1939 volume LVII number 9 page 610 The Guitar and Modern Music By George C. Krick NOT LONG AGO the writer received a letter from a former pupil, now residing in a large western city, describing an interview Read more